hello dubaikkaran movie review
HELLO DUBAIKKARAN MOVIE
REVIEEW:
Hello
Dubaikkaran is the latest in a long list of Malayalam films that have used the
trope of getting to Dubai, which has been the land of opportunities for
Malayalis. The
first few scenes of the film introduce the audience to its protagonist,
Prakashan (Adil Ibrahim). At a school-going age, he grows up watching the
celebrity status and the respect given to an NRI neighbour Hamsakka (Devan) by
the people in his village. This prompts him to say that he wants to be a
'Dubaikkaran' when his teacher asks him about his ambition in life. In a lot of
ways, the scene sets the tone for the entire film and summarises the plot too.
The
movie has a slew of characters revolving around the affable Prakashan and his
attempts to secure a job in Dubai. Despite his unsuccessful attempts making him
a laughing stock for his family and village folks, he never loses the will to
try again - thanks to the support of his best friend Auto Keshu (Dharmajan) and
his girlfriend Jyothi (Malavika Menon).
The story though takes an interesting turn when fate toys with Prakashan's final attempt to fly to Dubai. From then on, with clever twists and turns, the film keeps the audience engaged. Adil as an actor shines in action and emotional scenes but comedy doesn't seem to be his cup of tea. Malavika, who plays a school teacher, doesn't have much to perform either.The initial scenes narrating an NRI's welcome to his hometown is sure to stir some nostalgia and bring smiles, especially to those employed in the Gulf.
The
movie's slapstick comedy by actors such as Salim Kumar, Dharmajan and
Mammukkoya deliver some laugh-out-loud moments. However, for most parts, the
forced humour, crass comedy and formulaic dialogues suck the soul out of the
film, which only picks pace in the second half when Prakashan's life turns
topsy-turvy.
All in
all, Hello Dubaikkaran is an average fare that has a few laughs. Its directors
Harisri Yusuf and Baburaj Harisri have crammed in romance, music, drama and
action into a film which could have been better, had it some clarity in vision
and execution.
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